Film, a sound art /
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English French |
| Published: |
New York :
Columbia University Press,
c2009.
|
| Edition: | [English ed.]. |
| Series: | Film and culture
|
| Subjects: |
Table of Contents:
- History. When film was deaf (1895-1927)
- Chaplin: three steps into speech
- Birth of the talkies or of sound film? (1927-1935)
- Jean Vigo: the material and the ideal
- The ascendancy of king text (1935-1950)
- Babel
- The time it takes for time to "harden" (1950-1975)
- The return of the sensorial (1975-1990)
- The silence of the loudspeakers (1990-2003)
- On a sequence from The birds: sound film as palimpsestic art
- Aesthetics and poetics. Jacques Tati: the cow and the moo
- The disappointed fairies around the cradle
- The separation
- The real and the rendered
- The three borders
- Audiovisual phrasing
- Alfred Hitchcock: seeing and hearing
- The twelve ears
- Orson Welles: the voice and the house
- The talking machine
- Faces and speech
- Andrei Tarkovsky: language and the world
- The five powers
- God is a disc jockey
- Max Ophuls: music, noise, and speech
- Like tears in rain.