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02141nam a2200325 a 4500 |
| 001 |
987460 |
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20171111231451.0 |
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081223s2009 nyuag b 001 0 eng |
| 020 |
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|a 9780231137768(cloth:alk.paper)
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| 040 |
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|a DLC
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| 041 |
1 |
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|a eng
|h fre
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| 050 |
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0 |
|a PN1995.7
|b C4513 2009
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| 082 |
0 |
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|2 22
|a 791.4302/4
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| 100 |
1 |
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|a Chion, Michel,
|d 1947-
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| 240 |
1 |
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|a Art sonore, le cinema.
|l English
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| 245 |
1 |
0 |
|a Film, a sound art /
|c Michel Chion ; translated by Claudia Gorbman.
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| 250 |
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|a [English ed.].
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| 260 |
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|a New York :
|b Columbia University Press,
|c c2009.
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| 300 |
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|a xii, 536 p. :
|b ill., music ;
|c 25 cm.
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| 490 |
1 |
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|a Film and culture
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| 500 |
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|a Translated from the French.
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
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|a History. When film was deaf (1895-1927) -- Chaplin: three steps into speech -- Birth of the talkies or of sound film? (1927-1935) -- Jean Vigo: the material and the ideal -- The ascendancy of king text (1935-1950) -- Babel -- The time it takes for time to "harden" (1950-1975) -- The return of the sensorial (1975-1990) -- The silence of the loudspeakers (1990-2003) -- On a sequence from The birds: sound film as palimpsestic art -- Aesthetics and poetics. Jacques Tati: the cow and the moo -- The disappointed fairies around the cradle -- The separation -- The real and the rendered -- The three borders -- Audiovisual phrasing -- Alfred Hitchcock: seeing and hearing -- The twelve ears -- Orson Welles: the voice and the house -- The talking machine -- Faces and speech -- Andrei Tarkovsky: language and the world -- The five powers -- God is a disc jockey -- Max Ophuls: music, noise, and speech -- Like tears in rain.
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| 650 |
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0 |
|a Sound motion pictures
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| 650 |
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|a Motion pictures
|x Sound effects
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| 650 |
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0 |
|a Motion pictures
|x Aesthetics
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| 650 |
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4 |
|a Ήχος ταινιών κινηματογράφου
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| 650 |
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4 |
|a Ταινίες κινηματογράφου
|x Ηχητικά εφέ
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| 650 |
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4 |
|a Ταινίες κινηματογράφου
|x Αισθητική
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| 952 |
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|a GRHeTEI
|b 59ccc8af6c5ad1344608a3cf
|c 998a
|d 945l
|e PN1995.7 C4513 2009
|t 2
|x m
|z Books
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