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| LEADER |
01787nam a2200229 a 4500 |
| 001 |
1919049 |
| 005 |
20171111234757.0 |
| 008 |
171016s2017 enk b 001 0 eng |
| 020 |
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|a 9781474216524(hardback)
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| 040 |
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|a CY-NiUCY
|b eng
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| 050 |
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0 |
|a PN3448.D4G74 2017
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| 100 |
1 |
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|a Γρηγορίου, Χριστιάνα,
|d 1978-
|
| 245 |
1 |
0 |
|a Crime fiction migration :
|b crossing languages, cultures and media /
|c Christiana Gregoriou.
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| 260 |
|
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|a London ;
|b Bloomsbury Academic,
|c 2017.
|a New York :
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| 300 |
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|a 196 p. ;
|c 24 cm.
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| 490 |
0 |
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|a Advances in stylistics
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| 504 |
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|a Includes bibliographical references and index.
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| 505 |
8 |
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|a Machine generated contents note: -- 1. Introduction: The crime fiction migration effect -- 2. Migrating into other mediums (crime fiction into a novel, film, play) -- 2.1. On novelisation -- 2.2. On filmic adaptation: we need to talk about Kevin some more -- 2.2.1. On the book's traumatic linguistic style -- 2.2.2. 'Nobody loves an adaptation' (Boyum, 1985: 15), or do they? -- 2.3. On theatrical adaptation: even more 'Curious Incidents' -- 2.3.1. Curious prose -- 2.3.2. Curious drama -- 3. Migrating into other mainlands (into "yet another" novel, film, play) -- 3.1. On translation -- 3.2 On filmic Americanisation (on the Austrian 'Funny Games' film into the American version) -- 3.2.1. Deviant metafilmic games -- 3.2.2. Americanising the 'games' -- 3.3. On theatrical greeking: shear stylistic madness -- 3.3.1. A 'mad' detective play unlike any other -- 3.3.2. Metatheatrical madness -- 4. Conclusion -- 5. References.
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| 650 |
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0 |
|a Detective and mystery stories
|x History and criticism
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| 650 |
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0 |
|a Crime in literature
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| 650 |
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0 |
|a Crime in mass media
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| 952 |
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|a CY-NiOUC
|b 5a0468666c5ad14ac1ef2f91
|c 998a
|d 945l
|e PN3448.D4G74 2017
|t 1
|x m
|z Books
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