Image-based research : a sourcebook for qualitative researchers /

Main Author: Prosser, Jon, 1947-
Format: Book
Language:English
Published: London New York : RoutledgeFalmer, 1998
Subjects:
Table of Contents:
  • Part 1: A theoretical overview of image-based research - Chapter 1: Visual anthropology: image, object and interpretation / Marcus Banks
  • Chapter 2: An argument for visual sociology / Douglas Harper
  • Chapter 3: Film-making and ethnographic research / Paul Henley
  • Chapter 4: "The camera never lies". The partiality of photographic evidence / Brian Winston
  • Chapter 5: Psychology and photographic theory / O?rla Cronin
  • Chapter 6: Visual sociology, documentary photography, and photojournalism: itʹs (almost) all a matter of context / Howard S. Becker
  • Chapter 7: The status of image-based research / Jon Prosser
  • Part 2: Images in the research process - Chapter 8: Photographs within the sociological research process / Jon Prosser and Dona Schwartz
  • Chapter 9: Remarks on visual competence as an integral part of ethnographic fieldwork practice: the visual availability / Michael Ball
  • Chapter 10: Photocontext / Clem Adelman
  • Chapter 11: Media convergence and social research: the Hathaway project / Rob Walker and Ron Lewis
  • Chapter 12: The application of images in child abuse investigations / Hollida Wakefield and Ralph Underwager
  • Part 3: Image-based research in practice - Chapter 13: Picture this! Class line-ups, vernacular portraits and lasting impressions of school / Claudia Mitchell and Sandra Weber
  • Chapter 14: Interpreting family photography as pictorial communication / Richard Chalfen
  • Chapter 15: Pupils using photographs in school self-evaluation / Michael Schratz and Ulrike Steiner-Lo?ffler
  • Chapter 16: Cartoons and teachers: mediated visual images as data / Terry Warburton
  • Chapter 17: Images and curriculum development in health education / Noreen M. Wetton and Jennifer McWhirter
  • Chapter 18: Making meanings in art worlds: a sociological account of the career of John Constable and his oeuvre, with special reference to ʹthe Cornfieldʹ (homage to Howard Becker) / Elizabeth Chaplin.