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01506nam a2200289 a 4500 |
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20171111231451.0 |
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090902s2010 enk b 001 0 eng |
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|a 9780195387650(alk.paper)
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|a DLC
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|a ML1380
|b .D45 2010
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|2 22
|a 786.7/117
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|a Demers, Joanna Teresa,
|d 1975-
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|a Listening through the noise :
|b the aesthetics of experimental electronic music /
|c Joanna Demers.
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260 |
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|a Oxford ;
|b Oxford University Press,
|c 2010.
|a New York :
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300 |
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|a 201 p. ;
|c 24 cm.
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504 |
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|a Includes bibliographical references (p. [179]-189), discography (p.[191]-193), and index.
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505 |
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|a Sign. Listening to signs in post-Schaefferian electroacoustic music ; Material as sign in electronica -- Object. Minimal objects in microsound ; Maximal objects in drone music, dub techno, and noise -- Situation. Site in ambient, soundscape, and field recordings ; Genre, experimentalism, and the musical frame.
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650 |
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|a Electronic music
|x History and criticism
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650 |
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|a Avant-garde (Music)
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650 |
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|a Music
|x Philosophy and aesthetics
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650 |
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|a Music and technology
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650 |
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|a Ηλεκτρονική μουσική
|x Ιστορία και κριτική
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650 |
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4 |
|a Πρωτοπορία (Μουσική)
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650 |
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|a Μουσική
|x Φιλοσοφία και αισθητική
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650 |
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|a Μουσική και τεχνολογία
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952 |
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|a GRHeTEI
|b 59ccc8c16c5ad1344608a731
|c 998a
|d 945l
|e ML1380 .D45 2010
|t 1
|x m
|z Books
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