Lowering the boom : critical studies in film sound /
| Other Authors: | , |
|---|---|
| Format: | Book |
| Published: |
Urbana :
University of Illinois Press,
c2008.
|
| Subjects: |
Table of Contents:
- The future of film sound studies/ Jay Beck, Tony Grajeda
- The phenomenology of film sound: Robert Bressons' A man escaped / John Belton
- The proxemics of the mediated voice / Arnt Maaso
- Almost silent: The interplay of sound and silence in contemporary cinema and television / Paul Theberge
- The sounds of "Silence": Dolby stereo, sound design, and the silence of the lambs / Jay Beck
- Sonic imagination; or, film sound as a discrusive construct in Czech culture of the transitional period / Peter Szczepanik
- Sounds of the city: Alfred Newman's "Street Scene" and urban modernity / Matthew Malsky
- Film and the wagnerian aspiration: thoughts on sound design and the history of senses / James Lastra
- Asynchronous documentary: Bunuel's Land without bread / James Lastra
- "We'll make a paderewski of you yet!": Acoustic reflections in The 5.000 fingers of Dr. T / Nancy Newman
- Paul Sharits's cinematic of sound / Melissa Ragona
- "Every beautiful sound also creates an equally beautiful picture" / Clark Farmer
- "A question of the ear": Listening to touch of evil / Tony Grajeda
- "Sound sacrifices": the postmodern melodramas of World War II/ Debra White-Stanley
- Real fantasies: Connie Stevens, Silencio, and other sonic phenomena in Mullholand Drive / Robert Miklitsch
- Selling spectacular sound: dolby and the unheard history of technical trademarks / Paul Grainge
- (S)lip-Sync: Punk rock narrative film and postmodern musical performance / David Laderman
- Critical hearing and the lessons of Abbas Kiarostami's close-up / David T. Johnson
- Rethinking point of audition in The Cell /Anahid Kassabian.