Sound theory, sound practice /
| Other Authors: | |
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| Format: | Book |
| Language: | English |
| Published: |
New York :
Routledge,
1992.
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| Subjects: |
Table of Contents:
- Cinema as event / Rick Altman
- The material heterogeneity of recorded sound / Rick Altman
- Four and a half film fallacies / Rick Altman
- Sound space / Rick Altman
- Reading, writing and representing sound / James Lastra
- The live, the recorded, and the subject of representation / Steve Wurtzler Wasted words / Michel Chion
- Sound/History / Rick Altman
- Historical and theoretical issues in the coming of recorded sound to the cinema / Alan Williams
- The Hollywood multilingals 1929-1933 Natasa Durovicova
- The frozen revolution / John Belton
- Sound's dark corners / Rick Altman
- Women's voices in third world cinema / Amy Lawrence
- The sound of early Warner Bros. cartoons / Scott Curtis
- Imagining the sound(s) of Shakespeare: Film sound and adaptation / Mary Pat Klimek
- Conventions of sound in documentary / Jeffrey k. Ruoff
- The films of Andrei Tarkovsky / Andrea Truppin
- A Baker's dozen of new terms for sound analysis / Rick Altman.