Anthology of twentieth-century music /

Other Authors: Morgan, Robert P.
Format: Book
Language:English
Published: New York ; London : W.W. Norton, c1992.
Subjects:
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050 0 |a MT6.5  |b .A595 1992 
245 0 0 |a Anthology of twentieth-century music /  |c edited with analytical comments by Robert P. Morgan. 
246 3 |a Anthology of 20th-century music. 
260 |a New York ;  |b W.W. Norton,  |c c1992.  |a London : 
300 |a xii, 452 p., music :  |b ill. ;  |c 24 cm. 
504 |a Includes bibliographical references and index. 
505 0 |a Concordance with Morgan: Twentieth-Century Music -- Introductory note -- Preface -- Claude Debussy: Estampes, No. 2 (La Soiree dans Grenade) -- Richard Strauss: Salome (Scene 1) -- Alexander Skryabin: Piano pieces -- Arnold Schoenberg: from five orchestral pieces, Op. 16 -- Scoenberg: Piano piece, Op. 33a -- Charles Ives: General William booth enters into heaven -- Bela Bartok: Bluebeard's Castle (opening segment) -- Bartok: from Mikrokosmos, Vol. VI -- Igor Stravinsky: from the rite of spring -- Stravinsky: Concerto for piano and winds (first movement) -- Anton Webern -- Webern: String quartet, op. 28 (second movent) -- Edgard Varese: Hyperprism -- Paul Hindemith: Ludus tonalis (second Interludium and third Fuga) -- Roger Session: from From my Diary -- Henry Cowell: Piano pieces -- Aaron Copland: Rodeo ("Hoedown") -- Elliott Carter: A mirror on which to dwell ("Argument") -- John Cage: TV Koln -- Benjamin Britten: Peter Grimes (Interlude IV and Act II, Scene 2) -- Milton Babbit: Semi-Simple variations -- Gyorgy Ligeti: Three fantasies, No. 2 (Wenn aus der Ferne) -- Kalrheinz Stochausen: Kreuzspiel (first movement) -- George Crumb: Night of the four Moons, No. 1 (La luna esta muerta, muerta ...) -- Krzysztof Penderecki: Threnoby for the Victims of Hiroshima -- Peter Maxwell Davies: Vesalii icones (Nos. 1,6,8 and 14) -- Steve Reich: Music for pieces of wood. 
650 0 |a Musical analysis 
650 0 |a Music appreciation 
650 0 |a Music  |y 20th century 
650 4 |a Μουσική  |y 20ος αιώνας 
700 1 |a Morgan, Robert P. 
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