|
|
|
|
LEADER |
01926nam a2200445 a 4500 |
001 |
2053907 |
005 |
20171112000058.0 |
008 |
990123s1989 gr erb 001 0 eng d |
020 |
|
|
|a 0226114708
|q (pbk.)
|
020 |
|
|
|a 0226114694
|q (hdk.)
|
040 |
|
|
|a GrAtEKP.aggliki
|b gre
|e AACR2
|
082 |
|
0 |
|2 22
|a 780.9
|
100 |
1 |
0 |
|a Cone, Edward T.
|
240 |
1 |
1 |
|a Essays
|l Selections
|
245 |
1 |
0 |
|a Music, a view from Delft :
|b selected essays /
|c Edward T. Cone ; edited by Robert P. Morgan
|
260 |
1 |
0 |
|a Chicago:
|b University of Chicago Press,
|c 1989
|
300 |
1 |
0 |
|a ix, 334 p., [1 folded leaf of plates] :
|b ill. ;
|c 23 cm.
|
504 |
1 |
0 |
|a Includes bibliography and index.
|
505 |
0 |
0 |
|a Music: a view from Delft
|
505 |
0 |
0 |
|a Musical theory as a humanistic discipline
|
505 |
0 |
0 |
|a Analysis today
|
505 |
0 |
0 |
|a Beyond analysis
|
505 |
0 |
0 |
|a Three ways of reading a detective story - or a Brahms intermezzo
|
505 |
0 |
0 |
|a The authority of music criticism
|
505 |
0 |
0 |
|a Words into music: the composerʹs approach to the text
|
505 |
0 |
0 |
|a The world of opera andk its inhabitants
|
505 |
0 |
0 |
|a Berliozʹs divine comedy: the grande messe des morts
|
505 |
0 |
0 |
|a The old manʹs toys: Verdiʹs last operas
|
505 |
0 |
0 |
|a Beethovenʹs experiments in composition: the late bagatelles
|
505 |
0 |
0 |
|a Schubertʹs unfinished business
|
505 |
0 |
0 |
|a Inside the saintʹs head: the music of Berlioz
|
505 |
0 |
0 |
|a Sound and syntax: an introduction to Schoenbergʹs harmony
|
505 |
0 |
0 |
|a Webernʹs apprenticeship
|
505 |
0 |
0 |
|a The uses of convention: Stravinsky and his models
|
505 |
0 |
0 |
|a Stravinsky: the progress of a method
|
505 |
0 |
0 |
|a In defense of song: the contribution of Roger Sessions
|
650 |
0 |
0 |
|a Music
|x History and criticism
|
700 |
1 |
0 |
|a Morgan, Robert P.
|
952 |
|
|
|a GrAtEKP
|b 59ccf58c6c5ad134460d3176
|c 998a
|d 945l
|e 780.9 ConE es 1989
|t 1
|x m
|z Books
|
952 |
|
|
|a GR-KeIUL
|b 59cc21556c5ad13446f8a3f5
|c 998a
|d 945l
|e 780.9 CON
|t 1
|x m
|z Books
|