Art since 1940 : strategies of being /
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London :
Laurence King,
2000.
|
| Edition: | 2nd ed. |
| Subjects: |
Table of Contents:
- Introduction
- New York in the forties. New York becomes the center
- The sense of a new movement in New York
- A dialog with Europe. Alexander Calder
- Hans Hofmann
- Arshile Gorky
- Robert Motherwell
- Willem de Kooning
- Existentialism comes to the fore. Jackson Pollock
- Barnett Newman
- Mark Rothko
- David Smith and the sculpture of the New York School
- The new European masters of the late forties. Jean Dubuffet and postwar Paris
- The extentialist figuration of Alberto Giacometti
- Francis Bacon
- Some international tendencies of the fifties. Purified abstraction
- "New images of man" in Europe and America
- The beat generation : the fifties in America. "A Coney Island of the mind" : the Beats and John Cage
- Robert Rauschenberg
- Appropriating the real : junk sculpture and happenings
- Claes Oldenburg
- Jasper Johns
- The European vanguard of the later fifties. Nouveau rβealisme
- Joseph Beuys
- British pop : from the Independent Group to David Hockney
- The landscape of signs : American pop art 1960 to 1965. The electronic consciousness and New York pop
- Andy Warhol
- Roy Lichtenstein
- James Rosenquist
- H.C. Westermann, Peter Saul, and the Hairy Who
- West Coast pop
- Robert Arneson
- In the nature of materials : the later sixties. Back to first principles
- minimal art
- Eva Hesse and investigations of materials and process
- Bruce Nauman and Richard Serra
- Artists working in the landscape
- Arte povera, and a perserving rapport with nature in Europe
- Politics and postmodernism : the transition to the seventies. Re-radicalizing the avant-garde
- Christo and Jeanne-Claude
- Postmodernism
- Surviving the corporate culture of America of the seventies. A new pluralism
- Romare Bearden
- Alice Aycock
- Philip Gustonʹs late style
- Painting at the end of the seventies. New expressionist painting in Europe
- The peculiar case of the Russians
- New imagist painting and sculpture
- The eighties. A fresh look at abstraction
- American neo-expressionism
- Post-modern installation
- Appropriation
- New tendencies of the nineties
- To say the things that are oneʹs own.