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01636nam a2200241 a 4500 |
| 001 |
1971067 |
| 005 |
20171111235902.0 |
| 008 |
060717s2007 enka b 001 0 eng |
| 020 |
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|a 9780195189872 (alk. paper)
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| 040 |
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|a DLC
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| 050 |
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|a ML457
|b .H38 2007
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| 082 |
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|2 22
|a 781.4/309
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| 100 |
1 |
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|a Haynes, Bruce,
|d 1942-
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| 245 |
1 |
4 |
|a The end of early music :
|b a period performer's history of music for the twenty-first century /
|c Bruce Haynes.
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| 260 |
1 |
4 |
|a Oxford :
|b Oxford University Press,
|c 2007.
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| 300 |
1 |
4 |
|a xix, 284 p. :
|b ill. ;
|c 24 cm.
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| 504 |
1 |
4 |
|a Includes bibliographical references (p. 251-266) and index.
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| 505 |
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4 |
|a pt. 1. Performing styles. When you say something differently, you say something different ; Mind the gap : current styles ; Mainstream style : chops, but no soul -- pt. 2. How romantic are we? Classical music's coarse caress ; The transparent performer ; Changing meanings, permanent symbols -- pt. 3. Anachronism and authenticity. Original ears ; Ways of coping with the past ; The medium is the message : period instruments -- pt. 4. On elocution and pronunciation. Baroque oratory compared with romantic autobiography ; Gestural phrasing -- pt. 5. The end of early music. Passive and active musicking : stop staring and grow your own ; Mainstream music as early music ; Perpetual revolution.
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| 650 |
1 |
4 |
|a Performance practice (Music)
|x History.
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| 650 |
1 |
4 |
|a Music
|x Interpretation (Phrasing, dynamics, etc.)
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| 650 |
1 |
4 |
|x Philosophy and aesthetics.
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| 952 |
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|a GrThPMO
|b 59b012c26c5ad17d7e5acc5d
|c 952a
|d 9528
|e ML457.H38 2007
|t 7
|x m
|z Books
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| 952 |
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|a CY-NiOUC
|b 5a0450406c5ad14ac1ec238e
|c 998a
|d 945l
|x m
|z Books
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