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060302s2007 maua b 001 0 eng |
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|a 1598630237
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|a DLC
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|a TA365
|b .E94 2007
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|2 22
|a 620.2
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|a Everest, F. Alton
|d 1909-2005.
|q (Frederick Alton),
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|a Critical listening skills for audio professionals /
|c by F. Alton Everest.
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|a Boston, MA :
|b Thomson Course Technology,
|c c2007.
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|a viii, 203 p. :
|b ill. ;
|c 29 cm. +
|e 1 sound disc (digital, MP3 file ; 4 3/4 in.)
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|a Includes bibliographical references (p. 192-194) and index.
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|a Estimating the frequency of sound. Pure tones and random noise -- Estimation of level changes. Tones, speech and music -- Estimating frequency band limitations. Music, male and female voices -- Frequency response irregularities. Their effect on music and speech -- Judgment of sound quality. Simple and complex sounds -- Detecting distortion. What it is and how it sounds -- Reverberation effects. On speech and music -- Signal versus noise their interrelationship -- Voice colorations, how they sound and what causes them -- Listening with discernment, a review -- Loudness, pitch, and timbre. The subjective correlates of sound level, frequency, and spectrum -- How one sound masks another, a study of critical bands -- How the ear analyzes sounds. How we hear echoes and reflections -- Why some sounds are more pleasant than others. Consonance, dissonance, and the critical band -- How we locate sounds. The head, the pinna, and an amazing computer -- True binaural listening. The dummy head in binaural recording.
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|a Auditory perception
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|a Listening
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|a Ear training
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|a Sound
|x Recording and reproducing
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|a Ακουστική αντίληψη
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|a Ακοή
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|a Ακουστική αγωγή
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|a Ήχος
|x Εγγραφή και αναπαραγωγή
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|a GRHeTEI
|b 59ccc8b06c5ad1344608a3fe
|c 998a
|d 945l
|e TA365 .E94 2007
|t 2
|x m
|z Books
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952 |
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|a GR-KeIUL
|b 59cc2bf16c5ad13446fa50c2
|c 998a
|d 945l
|e 620.2 EVE
|t 2
|x m
|z Books
|