First intermissions : twenty-one great operas explored, explained, and brought to life from the Met /

Main Author: Lee, M. Owen, 1930-
Format: Book
Language:English
Published: New York : Oxford University Press, 1996, ©1995.
Subjects:
Online Access:http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=143946
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100 1 |a Lee, M. Owen,  |d 1930- 
245 1 0 |a First intermissions :  |b twenty-one great operas explored, explained, and brought to life from the Met /  |c M. Owen Lee. 
260 |a New York :  |b Oxford University Press,  |c 1996, ©1995. 
300 |a 1 online resource (xi, 248 pages) :  |b illustrations 
500 |a Based on the author's intermission commentaries from Metropolitan Opera radio broadcasts. 
504 |a Includes bibliographical references (pages 227-231), discography and videography (p. 233-240) , and index. 
505 0 |a Mozart. A New Kind of Opera: Idomeneo -- Verdi. When Verdi's Fathers Sing: Rigoletto. Patterns of Light: Simon Boccanegra. Chiaroscuro: Un Ballo in Maschera. Everything in This Drama is True: Don Carlo. Six Prophetic Trumpets: Aida. The Heart of Darkness: Otello -- Wagner. The Phantom Lover and the Eternal Feminine: Der Fliegende Hollander. You Use Works of Art to See Your Soul: Tannhauser. One Brief Shining Moment: Lohengrin. Songbirds and Saints: Die Meistersinger. Who Is the Grail?: Parsifal -- French Opera. The Matter of Melody: Faust. Unanswered Questions: Les Troyens. Six Characters in Search of a Poet: Les Contes d'Hoffmann. Phrases Massenetiques: Manon -- Puccini. A Charming Life, and a Terrible One: La Boheme. The Maturing Male and the Voracious Virago: Turandot -- Strauss. That Is What Fiction Means: Elektra. A Moment Beyond Time: Der Rosenkavalier. Love that Colors and Transforms: Die Frau ohne Schatten. 
650 0 |a Operas  |x Analysis, appreciation. 
650 4 |a Operas. 
650 4 |a Fine Arts. 
650 6 |a Opéras  |x Analyse et appréciation. 
650 7 |a MUSIC  |x Instruction & Study  |x Appreciation. 
650 7 |a Operas  |x Analysis, appreciation. 
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