Table of Contents:
  • The early clarinet in context. Introduction. Historical performance and the clarinet. Clarinet literature. The collector. Style. Interpreting the evidence. The current scene
  • Historical considerations. Aims and aspirations. Origin and development of the clarinet. The chalumeau and its music. Baroque clarinet repertory. Classical. Romantic. A snapshot from 1879. The late nineteenth century. Early recordings and musical style
  • Equipment. Aspects of standardisation. Classical clarinets. Nineteenth-century clarinets. Original instruments. Copies. Mouthpieces. Reeds. Care and maintenance
  • Playing historical clarinets / by Ingrid Pearson. Introduction. Posture. Embouchure and reed-position. Articulation. Fingering. Ornamentation. Other practical and aesthetic considerations
  • The language ofmusical style. Introduction. Sources. Rhetoric. The Romantic era
  • Case studies in ensemble music. Handel : Ouverture HWV 424 for two clarinets and horn. Johann Stamitz : Clarinet Concerto in B♭. Mozart : Clarinet Quintet K581. Weber : Clarinet Concerto No. 2 in E♭, Op. 74. Brahms : Clarinet Trio Op. 114
  • Related family members. Introduction. Special projects : high clarinets. Low clarinets. Basset horn, basset clarinet.