Genre fission : a new discourse practice for cultural studies /
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| Format: | Book |
| Language: | English |
| Published: |
Iowa City :
University of Iowa Press,
©2000.
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| Subjects: | |
| Online Access: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=67711 |
Table of Contents:
- "The Grand Mix" or Who Wears the White Hats When the Barbie Liberation Organization Strikes Back?
- Private Lives: Peaceful Coexistences
- Bridging the Dead Father's Canonical Divide: Max Apple, Saul Bellow, Edgar Allan Poe, and Lynn Redgrave Form a Textual Cross-Dresser Support Group
- "All Good Things": The End of Star Trek: The Next Generation, the End of Camelot, and the End of the Tale about Woman as Handmaid to Patriarchy-as-Superman
- Shutting the Bestial Mouth: Confessions of Male Clones and Girl Gangs
- Public Displays: Sexed Spectacles
- Night Watch in Amsterdam's Red Light District: Prostitutes/Dutch Windows/Utopian and Dystopian Gazes
- Los York/New Angeles: "New York, New York, a Helluva Town" Sings "I Wish They All Could Be California Girls"
- American Middle-Class Males Mark the Moon: Retrospectively Reading the Apollo Program or Lorena Bobbitt vs. the Saturn
- Premier Discourses: First Times
- Women "Churtening" via the Cha Cha: Ursula K. Le Guin and Hispanic-American Authors Write to the Same Rhythm
- Wrapping the Reichstag vs. Rapping Racism or "A Colored Kind of White People": Black/White/Jew/Gentile
- Playing with Time: The Holocaust as "A Different Universe of Discourse"
- Epilogue: Discourse as Black Hole, and as Liberated Light.