The future of art : an aesthetics of the new and the sublime /
| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Albany :
State University of New York Press,
©1999.
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| Series: | SUNY series in aesthetics and the philosophy of art
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| Subjects: | |
| Online Access: | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=43937 |
Table of Contents:
- The historical side of aesthetics
- The birth of aesthetics
- Art on the offensive
- The role of imagination
- Self-transcendence
- Desire's ignorance
- Faust, never lost in desire
- Desiring the will
- The despairing will
- Art as the organon of philosophy
- Real/ideal
- Salvific intuition
- Myths versus mysticism
- After Schelling
- Prosaic myths
- Art's futurity
- The necessity of art
- Philosophy as the organon of art
- Sic transit
- Hegel's triptychs
- Beauty surpassed
- The ultimate rationality
- Myths and the symbol
- The symbolic sublime
- The circle
- Art's new truth
- Apprehending the new
- The subject transformed
- The hidden truth
- Philosophic art and aesthetics
- The emerging meaning
- The function of art
- Neutrality
- Art as the organon of art
- From artifice to the will
- Art uprooted from truth
- Nietzsche's appearance
- Expected tragedies
- Rhetoric first
- Being and art: the axis Nietzsche-Heidegger
- Art: the truth of the nonexistent
- The sublimity of nihilism
- The nothingness of art
- The repercussions of nihilism
- Utopia and nihilism: the two faces of the aesthetic
- Renouncing the beautiful
- Unprecedented form
- Metaphor
- Sublime allegory
- The aesthetics of negativity
- Subjective aesthetics
- The role of subjectivity
- Art: imagining the true
- New sensations
- Hermeneutics
- The unconscious subject
- The ineffable
- Tragedy and comedy
- Sublime sublimity.