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01836nam a2200253 a 4500 |
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20171111234632.0 |
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051207s2006 mnua sb s001 0 eng |
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|z 0816645175 (hc : alk. paper)
|z 0816645183 (pb : alk. paper)
|z 9780816645176
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|a CaPaEBR
|z 9780816645183
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1 |
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|a ML3790
|b .A63 2006eb
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100 |
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|a Anderson, Tim J.
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|a Making easy listening
|b material culture and postwar American recording /
|c Tim J. Anderson.
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|a Minneapolis :
|b University of Minnesota Press,
|c c2006.
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300 |
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|a xliv, 236 p. :
|b ill.
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|a Commerce and mass culture series
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|a Includes bibliographical references (p. 217-231) and index.
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|a Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts).
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|a Sound recording industry
|x History.
|z United States
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|a Sound recordings
|x Production and direction
|z United States.
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|a Popular culture
|x History
|y 20th century.
|z United States
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|a ebrary, Inc.
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|u http://site.ebrary.com/lib/ucy/Doc?id=10159614
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|a CY-NiOUC
|b 5a045f696c5ad14ac1edf8b0
|c 998a
|d 945l
|e -
|t 1
|x m
|z Books
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