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01550nam a2200313 a 4500 |
| 001 |
1814773 |
| 005 |
20171111234600.0 |
| 008 |
090930s2010 cauag sb 001 0 eng |
| 020 |
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|z 9780520264793 (cloth : alk. paper)
|z 0520264797 (cloth : alk. paper)
|z 9780520264809 (pbk. : alk. paper)
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| 040 |
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|a CaPaEBR
|z 0520264800 (pbk. : alk. paper)
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| 050 |
1 |
4 |
|a ML3854
|b .A84 2010eb
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| 100 |
1 |
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|a Ashby, Arved Mark.
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| 245 |
1 |
0 |
|a Absolute music, mechanical reproduction
|c Arved Ashby.
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| 260 |
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|a Berkeley :
|b University of California Press,
|c c2010.
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| 300 |
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|a xii, 317 p. :
|b ill., music.
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| 504 |
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|a Includes bibliographical references (p.299-308) and index.
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| 505 |
0 |
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|a The recorded musical text -- Recording, repetition, and memory in absolute music -- Schnabel's rationalism, Gould's pragmatism -- Digital mythologies -- Beethoven and the iPod Nation -- Photo/phono/porno -- Mahler as imagist.
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| 600 |
1 |
0 |
|a Gould, Glenn
|x Criticism and interpretation.
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| 600 |
1 |
0 |
|a Schnabel, Artur,
|d 1882-1951
|x Criticism and interpretation.
|
| 650 |
|
0 |
|a Absolute music.
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| 650 |
|
0 |
|a Sound recordings
|x Social aspects.
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| 650 |
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0 |
|a Music
|x Philosophy and aesthetics.
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| 650 |
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0 |
|a Performance practice (Music)
|x History
|y 20th century.
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| 650 |
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0 |
|a Music and technology.
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| 650 |
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0 |
|a Sound
|x Recording and reproducing
|x Digital techniques.
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| 650 |
|
0 |
|a MP3 (Audio coding standard)
|x Social aspects.
|
| 710 |
2 |
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|a ebrary, Inc.
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| 856 |
4 |
0 |
|u http://site.ebrary.com/lib/ucy/Doc?id=10402695
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| 952 |
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|a CY-NiOUC
|b 5a045b786c5ad14ac1ed6eb4
|c 998a
|d 945l
|e -
|t 1
|x m
|z Books
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