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110613s2012 ilua sbq 001 0deng d |
| 020 |
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|z 9780809330959 (pbk. alk. paper)
|z 0809330954 (pbk. alk. paper)
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| 040 |
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|a CaPaEBR
|z 9780809330973 (e-book)
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| 050 |
1 |
4 |
|a PN1995.9.H6
|b P55 2012eb
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| 100 |
1 |
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|a Phillips, Kendall R.
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| 245 |
1 |
0 |
|a Dark directions
|b Romero, Craven, Carpenter, and the modern horror film /
|c Kendall R. Phillips.
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| 260 |
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|a Carbondale :
|b Southern Illinois University Press,
|c 2012.
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| 300 |
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|a xi, 215 p. :
|b ill.
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| 504 |
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|a Includes bibliographical references and index.
|
| 505 |
0 |
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|a Introduction: auteur, genre, and the rhetorics of horror -- Unconstrained bodies in the films of George Romero. The body as contrast: Romero's Living dead -- The body as site of struggle: The crazies, Monkey shines, The dark half, Bruiser -- Romero's mythic bodies: Martin and Knightriders -- Gothic dimensions in the films of Wes Craven. Craven's gothic form: nightmares, screams, and monsters -- Gothic technologies: Serpent and the rainbow, Deadly friend, Swamp thing, Red eye, Shocker -- Gothic families: The people under the stairs, The hills have eyes, Last house on the left -- Desolate frontiers in the films of John Carpenter. Sites under siege: Dark star, Assault on Precinct 13, The thing, Village of the damned -- Forbidden thresholds: The fog, Ghosts of Mars, Halloween, Prince of darkness, In the mouth of madness -- Drifters in desolation: Big trouble in Little China, Vampires, They live, Escape from New York, Escape from L.A. -- Conclusion.
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| 600 |
1 |
0 |
|a Romero, George A.
|x Criticism and interpretation.
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| 600 |
1 |
0 |
|a Craven, Wes
|x Criticism and interpretation.
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| 600 |
1 |
0 |
|a Carpenter, John,
|d 1948-
|x Criticism and interpretation.
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| 650 |
|
0 |
|a Horror films
|x History and criticism.
|z United States
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| 710 |
2 |
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|a ebrary, Inc.
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| 856 |
4 |
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|u http://site.ebrary.com/lib/ucy/Doc?id=10579703
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| 952 |
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|a CY-NiOUC
|b 5a045a7f6c5ad14ac1ed51d9
|c 998a
|d 945l
|e -
|t 1
|x m
|z Books
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