The critical nexus tone-system, mode, and notation in early medieval music /

Main Author: Atkinson, Charles M. 1941-
Corporate Author: ebrary, Inc.
Format: Book
Language:English
Published: Oxford ; New York : Oxford University Press, 2009.
Series:AMS studies in music
Subjects:
Online Access:http://site.ebrary.com/lib/ucy/Doc?id=10288320
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050 1 4 |a ML174  |b .A85 2009eb 
100 1 |a Atkinson, Charles M.  |d 1941-  |q (Charles Mercer), 
245 1 4 |a The critical nexus  |b tone-system, mode, and notation in early medieval music /  |c Charles M. Atkinson. 
260 |a Oxford ;  |b Oxford University Press,  |c 2009.  |a New York : 
300 |a xiii, 306 p. :  |b ill., music. 
490 1 |a AMS studies in music 
504 |a Includes bibliographical references (p. 259-291) and indexes. 
505 0 |a The heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prθum ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo. 
650 0 |a Music theory  |x History  |y 500-1400. 
650 0 |a Music theory  |x History  |y To 500  |x Influence. 
710 2 |a ebrary, Inc. 
856 4 0 |u http://site.ebrary.com/lib/ucy/Doc?id=10288320 
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