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| 001 |
1745056 |
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20171111234455.0 |
| 008 |
070319s2009 enkag sb 001 0 eng |
| 020 |
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|z 9780195148886 (alk. paper)
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| 040 |
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|a CaPaEBR
|z 0195148886 (alk. paper)
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| 050 |
1 |
4 |
|a ML174
|b .A85 2009eb
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| 100 |
1 |
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|a Atkinson, Charles M.
|d 1941-
|q (Charles Mercer),
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| 245 |
1 |
4 |
|a The critical nexus
|b tone-system, mode, and notation in early medieval music /
|c Charles M. Atkinson.
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| 260 |
|
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|a Oxford ;
|b Oxford University Press,
|c 2009.
|a New York :
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| 300 |
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|a xiii, 306 p. :
|b ill., music.
|
| 490 |
1 |
|
|a AMS studies in music
|
| 504 |
|
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|a Includes bibliographical references (p. 259-291) and indexes.
|
| 505 |
0 |
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|a The heritage of antiquity -- The eighth and ninth centuries. The reception of ancient texts in the Carolingian era ; The heritage of the church -- The synthesis of ancient Greek theory and medieval practice. Hucbald of St. Amand and Regino of Prθum ; Alia musica ; Pseudo-Bernelinus, Bern of Reichenau, pseudo-Odo, and Guido d'Arezzo.
|
| 650 |
|
0 |
|a Music theory
|x History
|y 500-1400.
|
| 650 |
|
0 |
|a Music theory
|x History
|y To 500
|x Influence.
|
| 710 |
2 |
|
|a ebrary, Inc.
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| 856 |
4 |
0 |
|u http://site.ebrary.com/lib/ucy/Doc?id=10288320
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| 952 |
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|a CY-NiOUC
|b 5a0451a16c5ad14ac1ec49ff
|c 998a
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|t 1
|x m
|z Books
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