Crossing the stages: the production, performance and reception of ancient theater/
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Iowa, US:
The University of Iowa,
2002, c1999
|
| Series: | Syllecta Classica
10 |
| Subjects: |
Table of Contents:
- 1. Ancient theatre and the other: ancient and modern perspectives. Humani nil a me alienum puto: The ethics of Terentian Performance / N. W. Slater
- Staging ancient drama: the difference women make / M.-K. Gamel
- eunous kai polei soterios /metoikos: Metics, tragedy, and civic ideology / G. Bakewell
- 2. Ancient stage and stagecraft. Orchestra and stage in Sophocles: Oedipus Tyurannus and the theater of Dionysus / S. Scully
- Knowledge and authority in the choral voice of Euripidean tragedy / D.J.astronarde
- Quis hic loquitur?: Plautine delivery and the "Double aside" / C.W. Marshall
- Facing the Music: Character and Musical Accompaniment in Roman Comedy / T. Moore
- Performance and Iconographic Tradition in the illustrations of Menander / E. Csapo
- Reconstructing Ancient Theater with the Aid of Computer Simulation / R. Beacham
- 3. Modern Production and Adaptation. Senecanism and the "Sulla" Operas of Handel and Mozart / R.C. Ketterer
- "A New Athens Rising Near the Pole": Canada and the Greek Exemplum 1606-1954 / M. Day
- Unsuitable for Women and Children?: Greek Tragedies in Modern British Theaters / R.Hazel
- Cross-Referencing the Stages: The Collection, Research, and Database of the Archive of Performances of Greek and Roman Drama at the University of Oxford / D. Gowen.