Critical musicological reflections : essays in honour of Derek B. Scott ; Stan Hawkins
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| Format: | Book |
| Language: | English |
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Surrey :
Ashgate,
2012 c
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Table of Contents:
- 1 Great Scott! 2 Evidence of thins not seen: history, sujectivities, music, 3 Musical identities, learning and education: some cross-cultural issues, 4 Be?la Barto?k: reintegrating the semantic and syntactic axes in Duke Bluebeardʹs Castle, 5 Amusing the cultivated classes and cultivating the masses: changes in concert repertoires in nineteenth-century Helsinki, 6 From schizophonia to paraphonia: on the cultural matrix of digitally generated pop-sounds, 7 Material culture and decntred selfhood (socio-visual typologies of musical excess), 8 "As fast as one possibly can..": virtuosity, a truth of musical performance? 9 On music criticism and affect: two instances of the disaffected acoustic imaginary, 10 The development of Bob Dylanʹs rhythmic sense: the time they were a changin (1958-64), 11 How genres are born, change, die: conventions, communities and diachronic processes, 12 Anatomy of the encounter: intercultural analysis as relational musicology, 13 One way of feeling: contextualizing a hermeneutics of spatialization, 14 The virtuoso body; or the two births of musical performance.