Queering the popular pitch ; edited by Sheila Whiteley and Jennifer Rycenga
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York London:
Routledge,
2006
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| Subjects: |
Table of Contents:
- Part 1 Performing lives, hidden histories, 1 Whatʹs that smell? Queer temporalities and subcultural lives, 2 Girl on girl- Fat femmes, bio-queens, and redefining drag, 3 Queering the witch- Stevie Nicks and the forging of femininity at the night of a thousand Stevies, 4 Tickle me emo- Lesbian balladeering, straight-boy emo, and politics of affect, 5 "Anders als die Anderen" or queering the song construction and representation of homosexuality in German cabaret recordings before 1933, Part 2 Queering boundaries, 6 Tears and screams- Perfomances of pleasure and pain in the Bolero, 7 Hey, man youʹre my girlfriend!- Poetic genderfuck and queer hebrew in Eran Zurʹs perfomance of Yona Wallachʹs lyrics, 8 Albita Rodriguez- Sexuality, imaging and gender construction in the music of exile, 9 Su casa es mi casa- latin house, sexuality, place, Part 3 Too close for comfort, 10 Too much, tatu young- queering politics in the world of tatu, 11 "I am not in a box of any description"- Sine?ad Oʹ Connorʹs queer outing, 12 Gender crossings- A neglected history in African American music, 13 Queer(ing) masculinities in heterosexist rap music, 14 Closeness and distance- songs about AIDS, Part 4 Glamorous excess, 15 Endless caresses- Queer exuberance in large -scale form in rock, 16 Popular music and the dynamics of desire, 17 Trans glam- Gender magic int he film musical, 18 On male queering in mainstream pop.