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|a Part I: Stagesetting, 1 The politics of theory: generations and geographies in feminist theory and the histories of art histories, Part II: Thinking theory, 2 Reading art? 3 The knotted subject: hysteria, Irma and Cindy Sherman, 4 Gossip as testimony: a postmodern signature, Part III: The body, 5 The Venus Pudica: uncovering art historyʹs ʹhidden agendasʹ and pernicious pedigrees, 6 On viewing three paintings by Jenny Saville: rethinking a feminist practice of painting, 7 Orlan artist in the post-human age of mechanical reincarnation: body as ready (to be re-) made, 8 The anorexic body: contemporary installation art by women artists in Canada, Part IV: Artistʹs pages, Part V: The maternal, 9 Mother figures: the maternal nude in the work of Kathe Kollwitz and Paula Modersohn-Becker, 10 Motherʹs anger and motherʹs desire: the work of re-hyun park, Part VI: The land, 11 Cecilia Vicunaʹs Ouvrage: knot a not, notes as knots, 12 ʹRestingʹ in history: translating the art of Ji-me Yoon, 13 Embodied geographies: subjectivity and materiality in the work of Ana Mendieta, Part VII: History, 14 Comfort women: women of conformity: the work of Shimada Yoshiko, 15 Gleaning in history of coming after/behind the reapers: the feminine, the stranger and the matrix in the work and theory of Bracha Lichtenberg Ettinger
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