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01956nam a2200397 a 4500 |
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1898407 |
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20171111234730.0 |
| 008 |
041216s2003 enka ob 001 0 eng d |
| 020 |
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|a 0511064748
|q (electronic bk.)
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| 020 |
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|a 9780511064746
|q (electronic bk.)
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|a 0511073208
|q (electronic bk.)
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|a 9780511073205
|q (electronic bk.)
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|a 0511058411
|q (electronic bk.)
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| 020 |
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|a 9780511058417
|q (electronic bk.)
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| 020 |
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|a 9780511497735
|q (electronic bk.)
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|a 0511497733
|q (electronic bk.)
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| 020 |
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|a 128041975X
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| 020 |
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|a 9781280419751
|q (Cloth)
|z 052181328X
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| 040 |
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|a N$T
|b eng
|e pn
|z 9780521813280
|
| 050 |
|
4 |
|a PN1995
|b .P44 2003eb
|
| 100 |
1 |
|
|a Persson, Per,
|d 1970-
|
| 245 |
1 |
0 |
|a Understanding cinema :
|b a psychological theory of moving imagery /
|c Per Persson.
|
| 260 |
|
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|a Cambridge ;
|b Cambridge University Press,
|c 2003.
|a New York :
|
| 300 |
|
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|a 1 online resource (xi, 281 pages) :
|b illustrations
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| 504 |
|
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|a Includes bibliographical references (pages 261-275) and index.
|
| 505 |
0 |
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|a Cover; Half-title; Title; Copyright; Contents; List of Illustrations; Preface and Acknowledgments; CHAPTER ONE Understanding and Dispositions; CHAPTER TWO Understanding Point-of-View Editing; CHAPTER THREE Variable Framing and Personal Space; CHAPTER FOUR Character Psychology and Mental Attribution; CHAPTER FIVE The Case for a Psychological Theory of Cinema; Notes; References; Index.
|
| 650 |
|
0 |
|a Motion pictures
|x Psychological aspects.
|
| 650 |
|
6 |
|a Cinéma
|x Aspect psychologique.
|
| 650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x History & Criticism.
|
| 650 |
|
7 |
|a Motion pictures
|x Psychological aspects.
|
| 650 |
1 |
7 |
|a Filmkunst.
|
| 650 |
1 |
7 |
|a Vertelsituatie.
|
| 650 |
1 |
7 |
|a Psychologische aspecten.
|
| 650 |
0 |
7 |
|a Film.
|
| 856 |
4 |
0 |
|a Psychologie.
|u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=120422
|
| 952 |
|
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|a CY-NiOUC
|b 5a0465646c5ad14ac1eecf09
|c 998a
|d 945l
|e -
|t 1
|x m
|z Books
|
