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01608nam a2200217 a 4500 |
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960713s1994 cy da er 000 u eng d |
| 020 |
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|a 0521453437
|q (hbk.)
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| 040 |
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|a CY
|b University of Cyprus
|e AACR-2
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| 050 |
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|a PN2053.G687 1994
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| 100 |
1 |
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|a Green, Amy S.
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| 245 |
1 |
4 |
|a The revisionist stage:
|b American directors reinvent the classics/
|c Amy S. Green
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| 260 |
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|a Cambridge, [England]:
|b Cambridge University Press,
|c c1994
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| 300 |
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|a xii, 226 p. :
|b ill. ;
|c 24 cm.
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| 490 |
0 |
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|a Cambridge studies in American theatre and drama
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| 500 |
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|a Includes bibliographical references (p. 199-216) and index
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| 500 |
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|a Contents: 1. Reinventing Classic Theatre -- 2. Historical Precedents in Europeand America -- 3. Greek and Roman Plays. Andrei Serban's Fragments of aGreek Trilogy, Richard Schechner's Oedipus (Seneca), and Lee Breuer'sThe Gospel at Colonus -- 4. The Plays of Shakespeare. Joseph Papp's'Naked' Hamlet, Robert Woodruff and the Flying Karamazov's The Comedyof Errors, JoAnne Akalaitis's Cymbeline, and Lee Breuer's Lear -- 5.The Plays of Moliere. Andrei Serban's The Miser, Garland Wright's TheMisanthrope and Don Juan, Richard Foreman's Don Juan, Liviu Ciulei'sDon Juan, and Lucian Pintilie's Tartuffe -- 6. Peter Sellars's Mozart -da Ponte Trilogy. Peter Sellars's Don Giovanni, Cosi fan Tutte, and LeNozze di Figaro -- 7. The Classics, Postmodernism, and the Question ofCoherence.
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| 650 |
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0 |
|a Canon (Literature)
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| 650 |
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|a Theater
|x Production and direction
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| 952 |
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|a CY-NiOUC
|b 5a043b5b6c5ad14ac1e9e78f
|c 998a
|d 945l
|e PN2053.G687 1994
|t 1
|x m
|z Books
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