Women and popular music : sexuality, identity and subjectivity /
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London New York:
Routledge,
2000
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| Subjects: |
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| 100 | 1 | |a Whiteley, Sheila, |d 1941- | |
| 245 | 1 | 0 | |a Women and popular music : |b sexuality, identity and subjectivity / |c Sheila Whiteley |
| 260 | |a London |b Routledge, |c 2000 |a New York: | ||
| 300 | |a 246 p. : |b ill. (music) ; |c 24 cm. | ||
| 500 | |a Discography 230 p. | ||
| 504 | |a Includes bibliographical references and index (236 p.) | ||
| 505 | 0 | |a 1 Wonderful world, beautiful people: the 1960sʹ counter culture and its ideological relationship to women, 2 Repressive representations: patriarchy, femininities and 1960ʹs rock, 3 The personal is political: womenʹs liberation, sexuality, gender, freedom and repression, 4 Try, just a little bit harder: Janis Joplin and the search for personal identity, 5 The times they are a-changinʹ: folk and the singer songwriter, 6 The lonely road: Joni Mitchell, blue and female subjectivity, 7 Daughters of chaos: Patti Smith, Siouxsie Sioux and the feminisation of rock, 8 Challenging the feminine: Annie Lennox, androgyneity and illusions of identity, 9 Madonna, eroticism, autoeroticism and desire, 10 k.d. lang, a certain kind of woman, 11 Talkinʹ ʹbout a revolution: Tracy Chapman, political uprisings, domestic violence and love, 12 Authenticity, truthfulness and community: Tori Amos, Courtney Love, P.J. Harvey and Bjork, 13 Artifice and the imperatives of commercial success: from brit pop to the spice girls. | |
| 650 | 0 | |a Women musicians | |
| 650 | 0 | |a Popular music |x Social aspects | |
| 650 | 0 | |a Feminism and music | |
| 650 | 7 | |a Γυναίκες μουσικοί | |
| 650 | 7 | |a Δημοφιλής μουσική | |
| 650 | 7 | |a Φεμινισμός και μουσική | |
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